YoungEun Kim
김영은 
Selected Works
Work List
 
Texts
News+CV
Contributors




Migration of Sound (2022) [KR EN]
written by Jiwon Lee







Frames of Sound, Angles of Listening (2022) [KR]
written by Juri Cho







Guns and Flowers (2021) [EN DE]
written by Wonseok Koh 


Red Bricks and Red Modern History, Unclosed Bricks: Crevice of Memory and YoungEun Kim’s Red Noise Visit (2019) [KR]
written by Hyunah Jo



Shades of Sound (2016) [EN]
written by Hanseung Ryu



Note for Halo Composition (2015) [EN] [KR]
written by Samuel Vriezen


An Aesthetic of Absence (2012) [KR]
written by Sohl Lee 



Art Today at a Junction of Installation, Sound, Performance Art and Theatre and Kim Young Eun's Audience (2011) [EN] [KR]
written by Hyunjin Shin 










Selected Bibliography


Korean Art 1900-2020, Seoul, KR: National Museum of Modern and Contemporary Art, 2021 (publication)
Ryu, Hanseung and Soon Young Park. Talk to Artists, Seoul, KR: Fedora Press, 2014 (publication)
Gottlieb, Baruch and Ji Yoon Yang. Sound+Art: Between Music, Media Art, and the Simple Act of Listening, Seoul, KR: MiSoolMunHwa, 2008 (publication)

Cho, Juri. “Frames of Sound, Angles of Listening.” Exhibition Review, Monthly Art, vol. 452. Seoul, KR, Sep 2022, pp. 124-129 (review, periodical) 
“Focus.” The One Art World, vol. 04. Seoul, KR, Aug 2022, pp. 20-21 (article, periodical) 
“Now, Here, Art Spaces: Specual Feature 5 SONGEUN.” Public Art, Seoul, KR, July 2022, pp. 58-61 (article, periodical)
“Frames of Sound.” INTERIORS, Seoul, KR, Aug 2022, pp. 22-23 (article, periodical)
Kim, Jiyeon. “Frames of Sound.” Goraeya, Seoul, KR, Aug 2022, pp. 138-140 (article, periodical)
Jo, Hyunah. “The Art of Hearing: Sound Art Today.” Monthly Art, Seoul, KR: Monthly Art, Feb 2021, pp. 110-123 (article, periodical)
Kim, YoungEun and Eugene Kim. “Working Sounds for $8.10.” SABOTEURS, iss. 5. Los Angeles, 2019 (artist page, periodical)
Jo, Hyunah. “Red Bricks and Red Modern History, Unclosed Bricks: Crevice of Memory and YoungEun Kim’s Red Noise Visit.” Gravity Effect, iss. 5. Seoul, KR: Graphite on Pink, 2019 (critic, periodical)
“Artist Interview.” Misulsegye, vol. 400. Seoul, KR: Misulsegye & Co., 2018, pp. 110-113 (interview, periodical)
Kang, Sumi. “Another Internal Art Spectrum.” Monthly Art, vol. 377. Seoul, KR: Monthly Art, 2016, pp. 128-133 (review, periodical)
Kim, Yunsoo. “Sound Sculpture that Enables to See the Unseeable” CNB Journal, vol. 490, 2 Jul 2016 (article, periodical)
“Artist Page.” Versus. no. 8, Seoul, KR: Gallery Factory, 2015 (periodical)
Lee, Sohl. “Room 402: An Aesthetic of Absence.” Contemporary Art Journal. vol. 9, Seoul, KR, 2012 (critic, periodical)

Carlos Quijon, Jr. “Critic’s Picks.” Artforum, 2 Aug. 2022 (article, online)
Park, Yuna. “[Korean Artists of Note] Kim Young-eun explores migration of sound.” The Korea Herald, 29 Aug. 2022 (article, online)
Park, Hansol. “Artist traces first sonic encounters between Western, traditional Korean music.“ The Korea Times, 26 July. 2022 (interview, online)
Cole Sweetwood. “Pick of the Week: Humming to the Sound of Fear.” Artillery Magazine, 20 Oct. 2021 (review, online)
Shana Nys Dambrot. “COLA 2020 Puts the Focus on the Artists.” LA Weekly, 9 July. 2020 (review, online)
Kim, Yunsoo. “Sound Sculpture that Enables to See the Unseeable” CNB Journal, vol. 490, 2 Jul 2016 (article, online)
Alix de Massiac, “Brave New World: RijksakademieOPEN.” Metropolis M, 28 Nov. 2015 (review, online)
“Rijksakademie Open 2015.” Monshouwer Editions, Nov 2015 (review, online)

Lee, Jiwon. “Migration of Sound.” Frames of Sound, Seoul, KR: SONGEUN Art and Cultural Foundation, 2022 (exhibition booklet)
Koh, Wonseok. Border Crossings: North and South Korean Art from the Sigg Collection, Bern: Kunstmuseum Bern, 2021 (exhibition catalog)
Yun, MinHwa. “What comprises music?” COLA 2020, Los Angeles: Department of Cultural Affairs, 2020 (exhibition catalog)
The Melting Sea, Seoul, KR: Forum A, 2019 (exhibition catalog)
Cho, Juri. “Red Mnemonics.” Unclosed Bricks: Crevice of Memory, Seoul, KR: Arts Council Korea, 2018 (exhibition catalog)
Ryu, Hanseung. ”Shades of Sound.” ARTSPECTRUM 2016. Seoul, KR: Leeum_Samsung Museum of Art, 2016 (exhibition catalog)
Vriezen, Samuel. “Note for Halo Composition.” Klingsor's Last Summer, Seoul, KR: HITE Foundation, 2015 (exhibition catalog)
Kim, YoungEun. “Tripartite Confrontation.” Translate into Mother Tongue, Seoul, KR: Doosan Gallery, 2013 (exhibition catalog)
“Round Table.” Image and Text, Seoul, KR: One And J. Gallery, 2012 (exhibition catalog)
Shin, Hyunjin. “Room 402: Art Today at a Junction of Installation, Sound, Performance Art and Theatre and Kim Young Eun's Audience.” MAP, Seoul, KR: Seoul Foundation for Arts and Culture, 2011 (exhibition catalog)